R.E.M., Sleater-Kinney and Nirvana members record together

Super Earth Lance Bangs
Photo Credit: Lance Bangs

Members of R.E.M., Sleater-Kinney and Nirvana are recording new material together it has been revealed.

Peter Buck, Corin Tucker and Krist Novoselic were revealed to be working together in the group Super-Earth via a tweet from American filmmaker Lance Bangs.

Tucker and Buck had previously announced that they had formed Super-Earth and were writing material with guitarist Scott McCaughey (Minus 5), drummer Bill Rieflin (Swans, Ministry) and guitarist Kurt Bloch. The group made their live debut on the 30th of April in Portland.

The gig at the Secret Society Ballroom saw the band performing twelve new songs of “soon-to-be-album-sized new compositions”. There is no current news as to when, or if, the band will release an album, or if Novoselic will perform live with them in the future.

Buck and Tucker have collaborated in the past, with Tucker providing backing vocals on Buck’s self-titled 2012 solo album. Similarly, Buck was on stage when Sleater-Kinney reunited for a live performance in late 2013.

Bangs captioned the image in his tweet, pictured above, “Ex-REM, Sleater-Kinney, Nirvana, Flipper, Swans, Ministry, Young Fresh Fellows studio session.”

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Under The Skin: Stop Working For Free!

Copyright SymbolIn this digital age, as someone who carefully crafts and creates arts content, how do you ensure that you get credit and – perhaps more importantly – paid for the work that you do? When technology allows the rapid distribution, copying and editing of content, how do you ensure that real value is placed upon your work?

Writers, actors, musicians, designers, photographers; all are finding that they are being approached to create and provide original and valuable content for free. Many of these approaches come from long established and widely respected publications, and are accompanied with promises of exposure for the work and it’s creator. More often than not, they are also accompanied by paragraphs about said publication’s lack of budget and, therefore, inability to pay.

But if the publication that is asking you to create content for free attaches cultural worth to your content, and then manages to realise monetary value from it too, why on earth should you be creating it and providing it for free?

It’s not just about origination, either. Because once you’ve carefully created your content and it’s out there in the digital domain, how the hell do you keep track of it and ensure that you get ongoing credit and remuneration?

It’s an issue highlighted in numerous stories of late, but recently, explicitly and – appropriately for Skin Back Alley – in the world of music, via the case of photographer Rohan Anderson and the band Red Jumpsuit Apparatus. The story has been covered in detail by Rohan himself, via many websites, and here by The Daily Dot.

In summary, Rohan photographed Red Jumpsuit Apparatus during a Sydney concert last year, and was surprised when he then stumbled across a version of one of his images on the band’s Facebook feed. Rohan’s watermark had been removed, the photograph cropped and a colour filter applied to it.

After protracted correspondence with the band and their management, and open mockery of Anderson by the band on Facebook and Twitter, the photo was eventually removed from the Facebook feed. But even then, the band and their management tried to have Rohan banned from the Sydney venue where the image was taken, and blacklisted by the publication who had commissioned Rohan to take the photographs in the first place.

I should make it clear that Red Jumpsuit Apparatus did eventually apologise – in a fashion – via their Twitter feed and, as of today (22nd April), have paid an invoice that Rohan issued for the use of his image. But several issues are highlighted by the dispute, including the original copyright infringement, and the notion that the photograph could be used by the band without paying for it or crediting it simply because it happens all the time.

As someone who has created a music related website here at Skin Back Alley, and writes content for it every day, I know full well that there are times when – for many different reasons – I will consider letting some of that content be used without receiving payment. But I also love music and writing with every fibre of my being and, whilst not laying claim to greatness, I genuinely think that my writing is good. I want to share good music and good writing with the world, but I also want my work to be valued, and have that value recognised by those who read it and profit from it.

As Rohan himself states about this specific dispute: “I honestly couldn’t care about the money, it’s the blatant disregard for copyright and the extremely unprofessional and childish behaviour that has got me worked up.”

Quite.

So, if I’ve let you use my content for free, then I’m not going to get angry or issue invoices to you. You approached me and – weighing up the situation – I gave you permission and requested credit for my work. The instances where I’ve given that permission are very few and far between.

Having said that, I also passionately believe that it should not be the norm for carefully crafted, worthwhile, valuable content to be requested, created, distributed or re-used for free. If you are going to be making money from content that someone else has created, you should be sharing that money with them.

In other words, do yourself and all other creators of valuable content a favour: stop working for free!

With thanks to Iain D. Millar for bringing Rohan Anderson’s story to our attention via The Daily Dot post.

You may be interested in checking out the Facebook group, “Stop Working For Free”, started by music journalist Barney Hoskyns, here

As a creator of quality content, Skin Back Alley seeks permission to use the work of others. If you genuinely think we’ve infringed your copyright, however, let us know and we’ll take immediate action.

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