London Grammar share new song ‘Rooting For You’

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London Grammar returned to the spotlight just a few minutes after midnight on New Year’s Day with a brand new song, “Rooting For You.”

The UK trio have released a live performance video version of the song that showcases Hannah Reid’s a cappella vocal before she is joined by orchestra and guitar. You can watch it below.

A studio version of the song has also been shared.

London Grammar’s debut album, If You Wait, was one of Skin Back Alley’s top albums of 2013.

Connect with London Grammar at:
Facebook: facebook.com/londongrammar
Twitter: twitter.com/londongrammar
Web: www.londongrammar.com

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Robert Plant, Pixies and Jack White for Glastonbury 2014

Robert Plant Glastonbury 2014
Robert Plant, Pixies, Jack White, Wilko Johnson and The Black Keys are amongst a list of 87 artists who have been confirmed for this year’s Glastonbury festival.

The event takes place between 27th and 29th June, with Arcade Fire confirmed as Friday night headliners, and Kasabian newly announced as Sunday night headliners.

Glastonbury 2014 is officially sold out, but a resale of tickets that have been cancelled or refunded will take place at the end of April. Ticket and coach packages will be up for grabs on 24th April from 7pm, and general admission tickets go on sale on 27th April at 9am. General admission tickets will cost £210 plus a £5 booking fee. In order to buy a resale ticket, prospective festival-goers must have registered with a photo at the Glastonbury See Tickets website by 5pm on 21st April.

The full list of artists that have been confirmed so far is:

Arcade Fire, Special Guests, Kasabian, Dolly Parton, Jack White, Elbow, The Black Keys, Robert Plant, Lily Allen, Lana Del Rey, Skrillex, Pixies, Massive Attack, Disclosure, Paolo Nutini, Manic Street Preachers, MIA, Rudimental, Bryan Ferry, Richie Hawtin, Ed Sheeran, De La Soul, Goldfrapp, London Grammar, MGMT, Jake Bugg, Jurassic 5, Dexys, Above & Beyond, The 1975, Bonobo, Kelis, Blondie, Warpaint, The Wailers, Wilko Johnson, James Blake, Gorgon City, Metronomy, Tinariwen, Chvrches, Little Dragon, Seun Kuti & Egypt 80, Kodaline, Interpol, Foster the People, Mogwai, Royal Blood, John Grant, Annie Mac, Lil Louis, Daptone Super Soul Revue, John Newman, Chromeo, Rodrigo Y Gabriela, Midlake, Angel Haze, Four Tet, ESG, The Sun Ra Arkestra, François Kevorkian, Parquet Courts, Sam Smith, Crystal Fighters, Nitin Sawhney, DJ Pierre, Toumani & Sidiki Diabate, Chance the Rapper, MNEK, Temples, Phosphorescent, Connan Mockasin, Public Service Broadcasting, Courtney Barnett, Gorgon City, Wolf Alice, Radiophonic Workshop, Suzanne Vega, Tune-Yards, Eats Everything, Jamie xx, Ms Dynamite, Breach, Chlöe Howl, Jagwar Ma and Danny Brown.

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Skin Back Alley’s Top Albums of 2013

2013 has been a fine year for music. It started with a bang in January, when David Bowie surprised everyone on the planet by releasing a new single – and then album – without having made any prior announcements. Beyonce pulled off the same trick just last week, proving that’s she’s not averse to pinching ideas with pride. But rather than huge pop releases from the likes of Katy Perry or Lady GaGa, it has felt as though the real gold has been found around the fringes, away from the monumental marketing budgets, proving that the death of the music ‘business’ certainly doesn’t mean the death of great music. Below you’ll find our favourites from the past year. As ever, let us know what you think, and which artists and albums have been tuning you in and turning you on.

My Ruin The Sacred Mood1. My Ruin – The Sacred Mood
In recent years My Ruin have had one hell of a ride. Hugely promising beginnings, great albums, ups, downs, mistreatment at the hands of music labels and near death experiences. All of which makes it even more extraordinary that they are still here, let alone that 2013 saw them release the finest album of their career. With The Sacred Mood, My Ruin delivered a slab of molten metal that sounded like a band well and truly in control of their craft. Here were artists creating something recognisably their own, but with new depths and textures previously uncharted. Mick Murphy’s guitar is dextrous and deadly, inventive and involving, ably augmented by Luciano Ferrea’s heavy bass workouts. And Tairrie B has never sounded more beguiling. Her trademark mix of honeyed spoken word and splintering metal screams delivered a dark poetry that touched on themes of death, rebirth, stamina and survival. If ever there was a metal band deserving of wider recognition, then My Ruin are it. We wait with baited breath to see how they take on 2014.
Buy it at: Amazon or iTunes | Read our 5/5 album review: here

BATINTE2. Baby Animals – This Is Not The End
Survival and triumphant return were also themes of Baby Animals’ first album of new material in 20 years, the aptly titled This Is Not The End. Suze DeMarchi and co. were well on their way to global domination in the 1990s before circumstances intervened and the band seemed to go out with a whisper rather than a scream. Never fear, for May saw the release of a barnstorming new album packed to the rafters with just the sort of high-octane rock n’ roll that the band’s supporters have been longing to hear. DeMarchi’s pipes sounded as strong as they ever have, and Dave Leslie’s guitar work was in rude health too. In Invisible Dreamer they reached dynamic new heights in their song-craft, carving out an epic centre that pinned together a quality collection. The imminent release of a new live DVD should have fans around the world baying for more.
Buy it at: Social Family Records | Read more about our love for Baby Animals: here

HWTH3. Holly Williams – The Highway
Column inches about Holly Williams have tended to focus on her family history. Perhaps understandably, as in the firmament of American music they don’t come any more prestigious than Hanks Jr or Sr. But in 2013 it was the sound of Holly’s album, The Highway, that had us enthralled. As her soulful, smoky voice navigated the terrain of relationships gone awry, the emotional push and pull of the heart and yes – how she explores and interprets her own heritage as part of American music royalty – the hairs on the back of our necks stood on end as they realised this was the sound of an extraordinary talent all of its own. Vivid stories and a wonderful way with a melody cemented The Highway as one of the highlights of the year.
Buy it at: Amazon or iTunes

LGIYW4. London Grammar – If You Wait
Those who were inclined to be skeptical about ‘the next big thing’ were forced to eat their words upon the release of London Grammar’s eagerly anticipated debut album. If You Wait presented a very fine brand of intimate and minimal pop over which Hannah Reid’s voice soared like the proverbial eagle. At once sounding both classic and yet utterly contemporary, the overall effect was bewitching, and in single Strong, the band had created a heart-stopping beauty of a song that was enough to make anyone forget the world around them for 3 minutes at a time. The trio rounded out the year with a series of shows that had all in thrall. Highly recommended.
Buy it at: Amazon or iTunes

TJWH5. Tony Joe White – Hoodoo
Tony Joe White proved in 2013 that if you spend all your time paying attention to nothing but the newcomers, you’ll miss some of the finest music being made. In Hoodoo, the septuagenarian guitarist and singer released a never less than engaging swampy, atmospheric album of blues numbers featuring plenty of his trademark guitar fluidity and Louisiana drawl. There were also touches of gospel and country, and lyrics concerned with big themes of darkness, danger and spiritual ambiguity. Recorded largely in first takes, live and direct to tape, the album was proof that you don’t need to work in the digital domain to create moody, affecting masterpieces. Although perhaps 50 odd years of writing and recording experience helps.
Buy it at: Amazon or iTunes

Honourable mentions for: Anna Calvi’s One Breath, Lindi Ortega’s Tin Star, Fuck Buttons’ Slow Focus, Savages’ Silence Yourself, Kurt Vile’s Wakin’ On A Pretty Daze, Alter Bridge’s Fortress and David Bowie’s The Next Day.